Public Domain Poetry - Ben Jonson
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Ben Jonson

c. 11 June 1572 – 6 August 1637


Poetry Listing


Read More About Ben Jonson below poetry list
Poem TitleFirst LinesPeriod# Lines# Reads
1: A Celebration Of Charis: I. His Excuse For Loving Let it not your wonder move, 1092
2: A Celebration Of Charis: IV. Her Triumph See the chariot at hand here of Love, 1169
3: A Farewell To The World False world, good night! since thou hast brought 1102
4: A Fit Of Rhyme Against Rhyme Rhyme, the rack of finest wits, 1149
5: A Hymn On The Nativity Of My Savior I sing the birth was born tonight, 1205
6: A Hymn To God The Father Hear me, O God! 1070
7: A Pangyre Heav'n now not strives, alone, our breasts to fill 849
8: A Part Of An Ode It is not growing like a tree 1029
9: A Pindaric Ode Brave infant of Saguntum, clear 1164
10: A Prayer Again! Come, give, yield all your strength to me! 1111
11: A Sonnet, To The Noble Lady, The Lady Mary Wroth I that have been a lover, and could show it, 914
12: An Elegy Though beauty be the mark of praise, 1293
13: An Epitaph On A Child Of Queen Elizabeth's Chapel Weep with me, all you that read 1153
14: An Ode To Himself Where dost thou careless lie, 1162
15: And Must I Sing? And must I sing? what subject shall I chuse? 1066
16: Begging Another For love’s sake, kiss me once again; 885
17: Blaney's Last Directions It is usual 941
18: Clerimont's Song Still to be neat, still to be dressed, 1047
19: Come, My Celia Come, my Celia, let us prove 880
20: Conditions Of Living Living a whole life has three conditions: 841
21: Epistle To Elizabeth Countesse Of Rutland VVhil'st that, for which all vertue now is sold, 916
22: Epistle: To Katherine, Lady Aubigny Tis growne almost a danger to speake true 802
23: Epitaph Weep with me, all you that read 953
24: Epitaph On Elizabeth Wouldst thou hear what man can say 815
25: Epitaph On S.P., A Child Of Queen Elizabeth's Chapel Weep with me, all you that read 841
26: Epode Not to know vice at all, and keepe true state, 847
27: Evening: Barents Sea Great lucid streamers bar the sky ahead 962
28: For A Girl In A Book Kim, composite of all my loves, 873
29: From - Witches' Song The owl is abroad,the bat and the toad, 858
30: Gypsy Songs The faery beam upon you, 1091
31: Have You Seen But A Bright Lily Grow Have you seen but a bright lily grow 1100
32: Hymn To Diana Queen and huntress, chaste and fair, 1107
33: In The Ember Days Of My Last Free Summer In the ember days of my last free summer, 795
34: Inviting A Friend To Supper Tonight, grave sir, both my poor house and I 1120
35: It Is Not Growing Like A Tree It is not growing like a tree 1163
36: Karolin's Song Though I am young, and cannot tell, 1104
37: Living By Walking, snow falling, it is possible 1018
38: Love-All The decorously informative church 1067
39: My Picture Left In Scotland I now think Love is rather deaf than blind, 1087
40: Natural Progress In all faith, we did our part: 1029
41: Nine Stages Towards Knowing Why do we lie,’ she questioned, her warm eyes 1040
42: Occupation: Father My son finds occupation 1121
43: Ode To Himself Upon The Censure Of His New Inn Come, leave the loathed stage, 1054
44: On Don Surly Don Surly, to aspire the glorious name 1004
45: On Elizabeth L. H. Wouldst thou hear what Man can say 1011
46: On Giles And Joan Who says that Giles and Joan at discord be? 1045
47: On Lucy, Countess Of Bedford This morning, timely rapt with holy fire, 952
48: On My First Daughter Here lies to each her parents’ Ruth, 1020
49: On My First Son Farewell, thou child of my right hand, and joy; 1027
50: On Salathiel Pavy Weep with me, all you that read 960
51: On Something, That Walks Somewhere At court I met it, in clothes brave enough 1055
52: Opening Doors He smashed his hand 1021
53: Port Ceiriad Bay Descended to the shore, odd how we left 981
54: Preconception But tonight a poem came 1015
55: Queen And Huntress Queen and huntress, chaste and fair, 1072
56: So Breaks The Sun So breaks the sun earth's rugged chains, 958
57: Song From The Silent Woman Still to be neat, still to be dressed, 955
58: Song To Celia Drink to me only with thine eyes, 795
59: Song To Celia (2) Come, my Celia, let us prove 814
60: Song To Diana Queen and huntress, chaste and fair, 870
61: Song: From Cynthia's Revels O, that joy so soon should waste! 779
62: Song: That Women Are But Mens Shaddows Follow a shaddow, it still flies you, 797
63: Song: To Celia Drink to me, only, with thine eyes, 808
64: Song: To Celia Come my Celia, let us prove, 836
65: Song: To Cynthia Queen and huntress, chaste and fair, 831
66: Song: To Sicknesse Why, Disease, dost thou molest 800
67: That Women Are But Men's Shadows Follow a shadow, it still flies you; 824
68: The Alchemist The sickness hot, a master quit, for fear, 896
69: The Alchemist: Prologue Fortune, that favours fools, these two short hours, 806
70: The Metamorphosed Gypsies (Excerpt) The fairy beam upon you, 822
71: The Noble Balm High-spirited friend, 939
72: The Noble Nature It is not growing like a tree 840
73: The Short Fear I maintain my self in the conviction 831
74: The Speech The long laments I spent for ruin'd Troy, 798
75: The Speeches Of Gratulations Time, Fate, and Fortune have at length conspir'd, 922
76: The Thames At Mortlake if only for ten minutes 833
77: To Heaven Good, and great God, can I not think of thee, 1135
78: To Heaven Good and great God, can I not think of thee 901
79: To John Donne Donne, the delight of Phoebus and each Muse 875
80: To Lucy, Countess Of Bedford, With John Donne's Satires Lucy, you brightness of our sphere, who are 784
81: To My Book It will be looked for, book, when some but see 804
82: To Penshurst Thou art not, Penshurst, built to envious show, 850
83: To Sir Robert Wroth How blest art thou, canst love the countrey, Wroth, 788
84: To The Immortal Memory And Friendship Of That Noble Pair, Sir Lucius Cary And Sir H. Morison Brave infant of Saguntum, clear 878
85: To The Memory Of My Beloved Author, Mr. William Shakespeare To draw no envy, Shakespeare, on thy name, 843
86: To The Memory Of My Beloved, The Author, Mr. William Shakespeare, And What He Hath Left Us To draw no envy, Shakespeare, on thy name, 809
87: To The Reader Pray thee, take care, that tak'st my book in hand, 964
88: To The Same Kisse mee, Sweet: The wary lover 958
89: To The World False world, good-night, since thou hast brought 1056
90: To William Camden Camden, most reverend head, to whom I owe 1020
91: Venus' Runaway Beauties, have ye seen this toy, 967
92: Why I Write Not To Love Some act of Love's bound to reherse, 823




About:
Benjamin Jonson (c. 11 June 1572 – 6 August 1637) was an English Renaissance dramatist, poet and actor.
A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone and The Alchemist which are considered his best, and his lyric poems.
A man of vast reading and a seemingly insatiable appetite for controversy, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.


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